Peter Gidal Movies

  • 1969
    Heads

    Heads

    Heads

    01969HD

    Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.

    Heads
  • 1985
    Home Movies 1971-81

    Home Movies 1971-81

    Home Movies 1971-81

    01985HD

    Home movies shot on Super 8mm by W+B Hein over 10 years.

    Home Movies 1971-81
  • 2013
    Coda I

    Coda I

    Coda I

    02013HD

    Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971,...

    Coda I
  • 1975
    Condition of Illusion

    Condition of Illusion

    Condition of Illusion

    4.61975HD

    The practice of Structural/Materialist Film is defined in...process, construction, displaced reflexively...not displaced uniformly into the pattern...

    Condition of Illusion
  • 1978
    Fourth Wall

    Fourth Wall

    Fourth Wall

    01978HD

    The film attempts to construct a space (as all films do), to construct a time (as all films do), to construct a process (as all films do) of and for...

    Fourth Wall
  • 1969
    Clouds

    Clouds

    Clouds

    01969HD

    Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a...

    Clouds
  • 1971
    Focus

    Focus

    Focus

    01971HD

    Early short by Peter Gidal.

    Focus
  • 1968
    Loop

    Loop

    Loop

    31968HD

    Loop ended up being a film that also 'ended' Upside Down Feature (1967-72) and was a negative upside down portrait as well....in negative, the person...

    Loop
  • 1968
    Key

    Key

    Key

    6.21968HD

    A slow zoom out and defocus of 'An enclosed and progressive disembowelment of durational progression.'

    Key
  • 1983
    Close Up

    Close Up

    Close Up

    11983HD

    Close Up is a provocative and potentially dangerous pulling together of two opposing aspects of film form - namely, a 'documentartist' soundtrack...

    Close Up
  • 2013
    Coda I + Coda II

    Coda I + Coda II

    Coda I + Coda II

    02013HD

    Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971,...

    Coda I + Coda II
  • 2013
    Coda II

    Coda II

    Coda II

    02013HD

    Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of...

    Coda II
  • 1973
    Room Film 1973

    Room Film 1973

    Room Film 1973

    4.31973HD

    "This film is a consequent continuation and contraction of my film work, research which began with Room (1967). The film is not a translation of...

    Room Film 1973
  • 1988
    Guilt

    Guilt

    Guilt

    11988HD

    Objects in the world given luminousness, light, are here less apprehensible to knowledge than that which has less light.

    Guilt
  • 1968
    Epilogue

    Epilogue

    Epilogue

    01968HD

    A film by Peter Gidal

    Epilogue
  • 1977
    Silent Partner

    Silent Partner

    Silent Partner

    11977HD

    In effect, it turns the spectator loose in a problematic textual system which includes both narrative and non-narrative clues; the puzzle cannot be...

    Silent Partner
  • 1997
    Assumption

    Assumption

    Assumption

    91997HD

    Assumption is a virtuosic personal tribute, a glimpse at history and a celebration of independent film culture. Gidal's short film was assembled...

    Assumption
  • 1971
    8mm Film Notes on 16mm

    8mm Film Notes on 16mm

    8mm Film Notes on 16mm

    11971HD

    Structuralist film collage consisting of 8mm film "notes" printed directly on 16mm stock. The images include people and landscapes and the technical...

    8mm Film Notes on 16mm
  • 2009
    Performance of Sorts with Brecht

    Performance of Sorts with Brecht

    Performance of Sorts with Brecht

    02009HD

    “Theatre theory for film, or not: Brecht (an interrogation/performance: a ghost trio for two).” (Gidal). Taking the form of a multi-part...

    Performance of Sorts with Brecht
  • 1968
    Hall

    Hall

    Hall

    11968HD

    Demystified reaction by the viewer to a demystified situation; a cut in space and an interruption of duration, through (obvious) jumpcut editing...

    Hall